Hi, Viking --
The CNF filter is explained begining on page 134 of the hardcopy manual. The red line is the spectrum of sampled noise. If I have a "good, quiet LP," my red line also dips down to -100 (the floor of the graph) as it approaches 10,000 HZ, although noisy LPs might have a some spikes beyond 10K.
The noise spectrum of a recent LP showed a fairly smooth curve from -50 at 11 HZ to -90 at 400 HZ, and then a very spiky trace to about 5000 HZ, where it "hit the floor." The spiky line continued along the floor to about 8000 HZ, where it dropped out of sight. Between 8000 and and the end of the spectrum, just past 11,000 HZ, there are 4 distinct spikes.
If you want to raise the entire spectrum line, go to the threshold box and click on "Shift Up."
But I've never had to do that to get the CNF to improve the audio file.
Please note that my understanding of, and competency with, DC6 is still best described as "a work in progress," and right now I'm still learning. A lot.
The CNF filter is explained begining on page 134 of the hardcopy manual. The red line is the spectrum of sampled noise. If I have a "good, quiet LP," my red line also dips down to -100 (the floor of the graph) as it approaches 10,000 HZ, although noisy LPs might have a some spikes beyond 10K.
The noise spectrum of a recent LP showed a fairly smooth curve from -50 at 11 HZ to -90 at 400 HZ, and then a very spiky trace to about 5000 HZ, where it "hit the floor." The spiky line continued along the floor to about 8000 HZ, where it dropped out of sight. Between 8000 and and the end of the spectrum, just past 11,000 HZ, there are 4 distinct spikes.
If you want to raise the entire spectrum line, go to the threshold box and click on "Shift Up."
But I've never had to do that to get the CNF to improve the audio file.
Please note that my understanding of, and competency with, DC6 is still best described as "a work in progress," and right now I'm still learning. A lot.
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